Blue and White	Celadon Ware	Wucai/Doucai	Famille Rose	Falang Cai
Jun Ware	San-Cai	Metal Works	Other	Wood and Bamboo

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	Small Southern Song Period Ge-Ware Water Dropper
			Period: Southern Song period (1127-1279) Dimension: W. 7cm H. 5cm Price: Price on Inquiry Ceramics such as this water dropper that have dark bodies and very thick galzes with prominent crazing enhanced by rubbing ink or some other substance into the cracks are called “Ge wares”. According to Ming- and Quing-period literary works, the term Ge ware refers to ceramics produced under the supervision of the older of two brother potters; "Ge ware" can be translated as "older brother ware." On the bottom of this dropper, three spur marks disclose the dark black body.
	Rare YongZheng Period Blue and White Sleeve Vase
			Period: Qing Dynasty, YongZheng Period 1723 - 1735 Dimension: H. 35cm Price: Price on Inquiry The body of gently tapered form decorated with enclosing alternating blooms of camellia and peony on long leafy stems vibrantly painted in underglaze-blue, the sloping shoulder with a band of floral scroll. The base inscribed with the six-character seal mark of ‘Da Qing Yong Zheng Nian Zhi’.
	Brush Washer - Xuande Period
			Period: Xuande period 1426 - 1435 Dimension: D: 24cm H: 7cm Price: Send Inquiry In homage to the creativity and spohistication evidenced in the Xuande blue and white works, later Chinese potters often tried to recapture their look and quality. Nonetheless, from this piece's astonishing underglaze blue, we can eaisly see that is an impossible task. This brush wahser was probably made during the middle period of Xuande era, brown and iron spots are over the body, no glaze was applied on the base, the six-character mark, which means "Made during the Xuande era of the great Ming Dynasty", is written in two lines in regular script.
	Yongle Period Zitan Wood Kuanyin Buddha
			Period: Ming Dynasty, Yongle Period Dimension: H. 40cm Price: Not for Sale A rare Yongle period zitan wood carved Kuanyin buddha.
	Rare Jizhou Leaf Temmoku Bowl
			Period: Southern Song Dynasty Dimension: W. 14.8cm H. 5.7cm Price: Send Inquiry Well-potted with thin walls rising from a small circular foot, coated with an opaque dark brown glaze, the center decorated with a single leaf with delicate veining over the buttonlike floor, the glaze stopping above the foot fired off-white.
	Blue and White Small Cup with Grapes - Jiajing Period
			Period: Ming Dynasty Jiajing Period 16th Century Dimension: D. 9cm Price: $10,000 Differing from the usual heavy and thick brush strokes seen on Ming dynasty’s blue and white porcelains, grapes and leaves are vividly painted with fine exquisite lines, probably influenced from famous doucai cup from Chenghua period. Six-character mark on the base, which means ‘Made during the Jiajing period of the great Ming dynasty’.
	Ruby Bowl - Kangxi Period
			Period: Qing Dynasty - Kangxi Period early 18th century Dimension: D. 17.5cm Price: Please Inquiry Ruby, or rose, eamel has recently been introduced into China by Western missionaries when this bowl was apparently commissioned by the emperor Kangxi from the imperial workshop in the Forbidden City, where porcelain made in Jingdezhen was decorated and refired. Rose, the most difficult enamel color to achieve, derived its subtle hue from the addition of small amounts of gold. This bowl is evidence that the Chinse had succeeded in duplicating European colors and shows how enamel made it possible to create tonality and gradation with the addition of opaque white. This bowl has a thin and very lightweight body of exquisite shape, on the outside are blossoming flower branches. On the base of the bowl is a four-character mark written in overglaze blue enamel 'commissioned by the Emperor Kangxi',
	Fine Blue and White Sleeve Vase - Chongzhen Period
			Period: Ming Dynasty - Chongzhen Period 17th Century Dimension: H. 20cm Price: $4,000 This vase is in form of cylindrical form with flat base and tall waisted neck, finely painted around the exterior in rich cobalt-blue tones with a court lady dancing, a body and old lady watching, all standing within a fenced garden of rocks and plants, divided by swirling mist and with mist engulfed mountains in the distance, between incised lines at the base and shoulder, the neck with a pendent stiff leaf band.